马
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泰勒·派瑞
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The film follows Ava, a young bank professional who is devastated when her husband Dallas abandons a marriage she is determined to fight for. But then fate intervenes, revealing Dallas’ wicked deeds that have trashed their marriage, and once upon a time sabotaged Ava’s destiny to be loved by her true soulmate.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。 Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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Curtis Graham
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Benjamin Bernard has lived his life in the shadow of his brother. Torn between jealousy and loyalty, Benjamin takes out his aggression as a mixed martial arts (MMA) fighter. After an event nearly shatters the life of his brother, Benjamin must face his overwhelming feelings of anger and resentment as he discovers the truth about his family. As one brother fights for his life, the other must fight for reconciliation and redemption inside and outside the cage. This family film explores love, forgiveness, loss, healed relationship and, ultimately, the realization that we are all God's Favorite.
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尼萨·加纳特
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凯瑟琳（艾玛·汤普森 Emma Thompson 饰）曾经是脱口秀行业中的先锋女战士，她所创办的节目吸引了无数人的注意和评论。可如今，一再下滑的收视率和她不断下跌的个人评价让凯瑟琳开始意识到，如果再不对情势加以干涉，那么她很有可能会丢掉饭碗。 为了打破外界对自己“厌女”的指控，凯瑟琳决定雇佣一位名叫茉莉（敏迪·卡灵 Mindy Kaling 饰）的印度裔女作家为自己工作，本来只是打算拿她装点门面的凯瑟琳渐渐发现，这个单纯的有些可笑的女孩肚子里确实有点东西。在茉莉的帮助之下，凯瑟琳的风评开始扭转，而凯瑟琳也帮助茉莉抵达了她独自一人绝对无法到达的职业高峰。
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雷切尔·兰伯特
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这是一部关于社交恐惧和情感障碍的故事。生活在奥立冈州的海岸小镇，弗兰的办公室日常了无生趣；偶尔侧听同事之间的对话，偶尔作作白日梦，偶尔思索死亡的意义，她自我孤立的状态，仿佛幽灵般地存在于人世。直到新同事罗伯特的出现，他的友善与爱意，打乱了她孤立平静的思绪。每次交谈，每个火花都搅乱她的每一根神经。然而，唯一阻碍他们之间的，是弗兰自己。本片以诗意且静謚的手法勾勒出爱、自我认同和观看世界的独特样貌。由知名英国女演员黛西·雷德利主演，内敛低调诠释呈现出人的内心与孤寂。
