R
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Buddy Cooper
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A group of teenagers decide to take a vacation at the beach house of one of their fathers. The kid whose father owns the house just happened to accidentally kill his mother when he was a child. When they get to the house, the father has mysteriously disappeared.
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皮特·沃克
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A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge. What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.
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William Lustig,Joel Soisson
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A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
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达尼埃尔·于伊耶,让-马里·斯特劳布
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The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator, the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
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让-吕克·戈达尔
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Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
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凯文·康纳
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为了找寻失踪的叔叔,年轻人自己设计了地心探险船,却被人剽窃,结果只能接受事实,因为商人答应让他带队去寻找失落的文明。 然而商人手里有一块神秘碎片,如果他找到其余碎片就可以拥有强大的力量。另一部分传说在地心,在那里也有一个世界,于是他赞助一些科学家去地心做科学研究,其实是为了实现他的野心,科学家们乘坐年轻人发明的有大钻头的飞船到了地心,在那里他们发现有原始人,通过他们的壁画知道他们的祖先是从地上顺着火山口进到地心的,他们还结交了白色的人形怪物并成为朋友。然而在这里还有一个身上插了很多导管,管子里流淌着绿色液体的邪恶统治者,整个地心世界由他控制....
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赫伯特·布雷农
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Peter Pan enters the nursery of the Darling children and, with the help of fairy dust, leads them off to Never Never Land, where they meet the nefarious Captain Hook.
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劳尔·鲁伊斯
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Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
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Peter O'Fallon
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四名富家子为了营救其中一人被绑架勒索的妹妹,竟然合谋绑架了当地的黑道老大,将他放置在另一不知情好友父亲的渡假别墅中,然后肋迫他运用黑道力量打听到绑架的歹徒,并付出二百万美元赎金。不料整个绑架事件竟是一个精心圈套,真相在最后才揭穿。类似本片的剧情架构在美国的独立制片中常被采用,但本片编导仍成功地掌控了老大与富家子之间的心理角力游戏,利用“绑架案有内奸”的秘密信息引起几个好友之间的互相猜疑,从而使后半段的发展显得峰迥回路转。而老大的手下和绑匪这两组黑道搭档则明显有昆汀泰伦提诺式的饶舌和搞笑作风。克里斯多夫毕肯演出处变不惊的老大游刃有余,几名富家子则由亨利汤玛斯领军。
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迈克尔·戈登
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Leopold Kroner, formerly of Colby Enterprises, is released after five years in prison for embezzlement. Andrew Colby, claiming that Kroner has threatened him, hires lawyer Bob Regan as a secret bodyguard. Sure enough, Kroner turns up in Colby's room with a gun, and Regan kills him. Then Regan, who sticks around to romance Colby's secretary Noel, begins to suspect he's been used.
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阿伦·雷乃
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巴黎的医生亨利•拉博西用理性科学,并且借助小白鼠实验来表述人的一系列精神活动。故事主角让•勒•加尔出生在巴黎,在小岛上和爷爷一起长大,在同学的帮助下当上了新闻部部长,顺利结婚生子。而后却与女演员让妮娜坠入爱河。让妮娜在巴黎贫穷地区的工人家庭中长大,却立志想成为演员,被父母横加阻拦后她离家出走,岂料当上话剧演员后顺利走红,从而结识了让•勒•加尔并与之相爱。哈格努(杰拉尔•德帕迪约 Gérard Depardieu 饰)出生于一个农场主家庭,因不满父亲管教离家谋了纺织厂技术总监的职业,并与未婚妻阿莱特结婚生子。后单位新晋职员维斯塔特却将哈努克的职位夺取了。三人的命运最终将会如何呢?
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米格尔·马德里
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Paul was raised as a girl after his sister died. He has been collecting dolls ever since. But that has left him troubled and he was unable to cope with the pressure of a medicine degree. He now returns to his home town to work as a gardener at a local mansion. But after he arrives, murders start to happen. Is he responsible or are the answers in his nightmares?
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约翰·兰迪斯
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这是一部充满音乐表演的无厘头喜剧。杰克(约翰·贝鲁西 John Belushi 饰)和艾伍德(丹·艾克罗伊德 Dan Aykroyd 饰)曾经是音乐狂人,组乐队搞演出是他们的拿手好戏。杰克却因为一桩抢劫案而坐了牢,从此荒废了音乐事业。出狱那天,艾伍德前来接风,二人兴致勃勃前往自幼长大的孤儿院探望玛丽修女,却被告知这个孤儿院已经欠了一大笔税款面临关门,除非有人能在十一天内凑齐5000美元。 二人对孤儿院情比金坚,怎能眼睁睁看着孤儿院“沦陷”?哥俩从长计议,决定重拾自己的音乐事业,为孤儿院巡演揍钱。于是,以前的乐队又重新组合起来,热热闹闹的一大队人在舞台上开始了磕磕绊绊的演出。凑钱还是其次的问题,他们得先解决意外碰到的一大堆麻烦事,比如警察的误会、黑帮的追杀……挽救孤儿院的动力让他们所向披靡,魅力四射,同时也找回了他们自己的音乐梦想。






























