R
搜索"R" ，找到 17357部影视作品
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弗莱德·戴克尔
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泛消费公司已完全掌控了底特律市之后，与日本金光财团合作组建OCP，在底特律开发三角洲城，并招揽雇佣兵组成暴力改建队，驱逐居民，相当数量的拆迁地居民为捍卫家园组成武装力量反抗财阀的不义计划，女童妮科（Remy Ryan Hernandez 饰）凭借高超的电脑技术在反抗军中表现抢眼。机器战警墨菲（Robert John Burke 饰）与老搭档路易斯执行任务期间偶然发现了居民们的藏身地点，出于正义感，墨菲同随后赶到的改建队交火，机体损坏严重，路易斯不幸身亡，墨菲决定加入反抗军。同时日本方面为执行拆迁计划派出特工忍者雄志，改建队头目亦利用反抗军中的叛徒查到了反抗总部。在妮科的帮助下，墨菲被拉瑟斯博士整修完备，汇同不齿改建队暴力行径而选择站到居民一边的底特律警察们，同雄志、改建队展开最后决战。
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雷蒙德·德·费里塔
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纽约附近城岛的监狱看守文斯（安迪·加西亚 Andy Garcia 饰）瞒着老婆乔伊斯（朱丽安娜· 玛格丽丝 Julianna Margulies 饰）到城里上表演课，梦想成为一名演员。乔伊斯瞒着文斯抽烟，女儿和儿子也都有自己的大小秘密，一家人各自为政。有一天文斯发现新转来的犯人汤尼（史蒂文·斯崔特 Steven Strait 饰）竟是自己遗弃二十多年的儿子。文斯把汤尼带回了家，向所有人隐瞒了事实，希望能利用假释好好照顾这个儿子，让他重返正途。与此同时，在表演课同学莫莉（艾米莉·莫迪默 Emily Mortimer 饰）的鼓励下，文斯参加了一次重要的电影角色面试，没想到这却引起了乔伊斯的误会，造成了家庭危机大爆发…… 本片获纽约曼哈顿特里贝卡（Tribeca）电影节观众票选奖。
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约翰·R·莱昂耐迪
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新婚燕尔的约翰·戈登（瓦德·霍尔顿 Ward Horton 饰）和妻子米娅（安娜贝拉·沃丽丝 Annabelle Wallis 饰）共同孕育了新的生命，对于这对未经世事的小夫妻来说，喜悦和担忧相伴而行。那个晚上，约翰找到了妻子寻觅已久的娃娃安娜贝尔，与此同时，邻居彼得家则发生了残忍血案，更为可怕的厄运也朝着戈登夫妇袭来。几名丧失人性的邪教男女闯入戈登家中，试图对他们展开屠杀。虽然戈登夫妇侥幸保住性命，但其中一名女子抱着安娜贝尔死去。在此之后，惴惴不安的米娅待在家中安胎，她试图从阴影中走出，然而接二连三的怪事相继在家中发生。 诡异而恐怖的恶魔盛宴就此拉开帷幕……
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帕特里克·塔特普洛斯
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遥远的黑暗世纪，柯文诺斯的子孙一分为二。血族在维多（比利·奈伊 Bill Nighy 饰）的领导下独行天下，强大的吸血兵团压制极具传染性且无法进化成人的残暴狼族。直到某天，一个神奇的生命诞生，改变了这两个家族的命运。一只母狼诞下有着人类外表的狼人路西安（麦克·辛 Michael Sheen 饰），维多窥见狼人身体内的强大实力，于是对其大量繁殖，并将狼人纳为服务血族的奴隶。奴隶的苦难永无终结，而在这一过程中路西安还冒天下之大不韪与维多的女儿桑雅（罗娜·迈特拉 Rhona Mitra 饰）偷偷相恋。 渴望自由的路西安最终设法解开维多对自己的禁锢，狼人与血族持续数百年的战争亦由此拉开序幕……
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伦·怀斯曼
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狼人和吸血鬼之间的大战还在继续。当麦克尔（斯科特•斯比德曼 Scott Speedman 饰）和西丽妮（凯特•贝金赛尔 Kate Beckinsale 饰）还在企图以自己薄弱的能力阻止这场大战时，阴谋家们的杰作又诞生了――狼人和吸血鬼融合的具有超强能力的种族――“血族”。马克思（托尼•库兰 Tony Curran 饰）便是便是这个种族的第二代。他杀死了父亲，夺取了密钥和西丽妮的记忆，救出了一个是狼人、一个是吸血鬼的被囚禁千年的孪生兄弟，企图一统狼人、吸血鬼和人类三大种族。 麦克尔和西丽妮这对恋人为了爱，他们必须挫败马克思的阴谋、打败囚禁千年的孪生兄弟……
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Irwin Allen
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The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
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Tony Maylam,Ian Sharp
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故事发生在2008年的伦敦，全球变暖导致海平面上升，部分陆地时不时遭到洪水的淹没，处处一片破败萧瑟的景象。警探斯通（鲁特格尔·哈尔 Rutger Hauer 饰）因为办案方式太过激导致他遭到了警局的解雇，但即便脱下了配枪和警服，斯通依然锲而不舍的独子追查着他在职期间未能够破获的连环凶杀案件。 某日，城市里又新起了一宗凶杀案，被害人遭到了凶手的开膛破肚，死状非常的恐怖。凶手行凶的手段立刻就让斯通联想到了曾经发生过的那些案件，他坚信这几起案件为同一人所为。没过多久，警方收到了一个可怕的包裹，包裹里是死者遭到了啃噬的心脏，通过齿痕判断，作案者并非人类。
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泰伦斯·费希
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A murderous religious cult is way-laying travellers and stealing goods in nineteenth century India. As the disappearances mount and trade becomes difficult, the British East India Company is forced to act. But they give the job to an upper-class officer completely out-of-touch with the country rather than the obvious candidate who has been in India for years and well understands the people and culture.
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Stephen Carpenter,Jeffrey Obrow
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The Kindred（试管人魔） 剧情大概： 约翰医生的弟弟因为车祸而丧生，可他却把自己弟弟的遗体当作试验品改造成了怪物，此时他的朋友们来到其居所看望他，一阵腥风血雨即将到来……（此片感觉像变蝇人+怪形的结合体，但故事并不怎么出彩，不过怪物的样子还算比较独特） 血腥度：3 片中怪物数量：少量 怪物类型：人造生物+变异 怪物特点：试管培育出来的怪物，可迅速长大，有传染能力，触手系 怪物必杀技：穿刺、再生、同化 怪物恶心度：3 ————————————————by zombiehunter
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凯文·康纳
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In 1840, a samurai comes home to find his wife in bed with another man, so he kills them both and then himself. Flash-forward to the present day, and an American family of three moves into this since-abandoned house and starts to experience incidents of haunting and possession.
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Edward L. Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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康拉德·卢克斯
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Hauntingly Beautiful This film is stunning in its beauty. The music is transcendent. For the longest time I tried to get the soundtrack. To save you the trouble, be aware that they never made one! There is one scene in which a woman blows on a shell that was so powerful I still remember 30 years later. Mesmerizing. If you have not seen it yet, rent it today.
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Seth Holt
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佩妮（苏珊·斯塔丝伯格 Susan Strasberg 饰）的父母在她很小的时候就离婚了，一直以来，佩妮都跟着母亲生活。一场意外夺走了母亲的生命，于是，孤苦无依的佩妮接受了父亲的邀请，前去和父亲以及继母一起生活。然而到了父亲家，佩妮却发现在那里的只有继母一人，虽然这个女人表现得非常的和善与热情，但佩妮还是对她充满了戒备。 继母家里发生的各种诡异的事情，以及始终下落不明的父亲让佩妮的神经越来越紧张，渐渐地，她开始分不清，在这里经历的一切，究竟是不是自己的幻觉。很显然，继母也希望佩妮产生这让的自我怀疑。
