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埃德加·G·乌默
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One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
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Sergey Livnev
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This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-force/army, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of "Forrest Gump" in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.
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尼尔·比斯瓦斯
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Londoner Ronnie embarks on a journey to India when his mother, Suleka, goes missing and mysteriously ends up in a Kolkata hospital. Before Ronnie can unravel the mystery of what brought his mother back to her homeland, Suleka dies in an apparent cult killing. Further deaths point to a series of past murders that stopped 28 years ago when Suleka left India with her infant son. Until now. As the darkness within Ronnie grows and the murders reach their peak, all roads lead to the feared witch of Kolkata's insane asylum.
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Ralph Richardson
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The movie is a throwback to a time when ordinary people enjoyed simple pleasures like going to their club, or taking in the pictures and growing their chrysanthemums in the adjoining greenhouse garden...so very British. It is these very ordinary people that some artists have a great sympathy and admiration for in our often self-serving world. Nothing extraordinary about the movie or the couple but almost 60 years on, the acting still makes it a delight to watch.
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布拉德·安德森
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丹弗斯州立精神病院离波士顿不远,建于1860年代,最多时住了两千多名病人,如今已经废弃,等待重建,另作他用。重建之前需要将其中的石棉拆走,一家专门拆卸危险材料的公司承担了这个任务。 包括公司老板戈登在内的五个男人走进这座阴森的庞然大物。戈登家中有妻子和一个新生的女儿,指着他赚钱养家,因此他极力承揽下活计后还答应一周内干完两三周才能做完的工作;菲尔是个小头目,因为女朋友跟别人走了,吸上大麻;汉克就是拐走他女朋友的家伙,是个得意洋洋的赌徒,还时时嘲讽菲尔;跟着去的还有学法律的学生迈克和戈登的侄子杰夫,一个单纯的小伙子。 五个人刚进去,戈登就听见了奇怪的声音,似乎来自这座医院的过去。迈克对医院的历史非常感兴趣,在地下室中他发现了一些磁带,它们记录了一个叫马丽·霍布斯的具多重人格的病人的资料,共有九个部分,迈克开始听这些磁带;与此同时,菲尔开始怀疑戈登的精神状况,杰夫则在竭力与对黑暗的恐惧对抗,汉克在一堵墙里发现了一些财宝,晚上他出去后,就再也没有回来。 工作的压力一天天加剧,汉克的失踪和一系列怪事情的发生使每个人的神经拉得越来越紧,人的精神原来那么容易受影响,被扭曲。过去的恐怖历史和痛苦折磨,现在的奇异事件和身边人的内心秘密,一点一点压在大家心上,而丹弗斯精神病院无声地注视着他们,将自己的阴影投到每个人心底。 一天一天过去,没有人知道又长又暗的走廊尽头是什么,墙的那一边又隐藏着什么,他们当中谁在撒谎,谁会崩溃,谁又值得信任?恐惧从最深处渗上来,弥漫到每一个角落,面对自己脆弱的精神和神秘的环境,不知道这一切到底意味着什么,心理承受力遭受重大考验。而结局,总是出人意料……
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阿妮卡·德克尔
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A dirty campaign forces movie star Marvin to flee from reporters and fans. Coincidentally, he immerses himself in the cosmos of the feminist/queer off-theatre 3000. Its boss Frieda is not at all enthusiastic about the superstar at first .
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保罗·安德森
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未来世界,为了赢得星际战争,政府从新生儿中严格挑选一批人,从小就进行杀人训练,这些人没有家庭、感情,他们眼中只有杀戮,称为兵人。特德(库尔特•拉塞尔 Kurt Russell 饰)就是这群人中的佼佼者,他经历了数场星际大战,依然屹立不倒。这次政府采用新的基因技术,让婴儿在母体中就接受战争基因的改造,制造了一批改良后的兵人。 为了测试效果,特德和另外两名伙伴被挑选和新兵人凯恩(贾森•斯科特•李 Jason Scott Lee 饰)进行一场较量,结果两名伙伴被打死,而特德因为昏迷被误认为死亡而逃过一劫。他和另外两个伙伴的尸体被扔到了一个垃圾星球。特德在那里遇到了被遗弃的平民,他麻木的心灵在这里滋生了友谊和爱情。当他准备在这里和心爱的女人幸福过活时,政府将这里当成了新兵人的训练场。新兵人们在这里的任务就是杀光所有生物。为心爱的人和伙伴们,特德毅然出战!
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拉克什·罗斯汉
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罗希特(赫里尼克•罗斯汉 Hrithik Roshan 饰)是一个普通的不能再普通的男人,做着卑微的职业,拿着微薄的薪水。罗希特和叔叔婶婶以及表弟阿密特生活在一起,叔叔婶婶非常热爱音乐,这种热爱感染了罗希特,让他渐渐想要成为一名歌手。 一次偶然中,罗希特邂逅了名为索尼娅(阿米莎•帕泰拉 Ameesha Patel 饰)的美丽女子,两人一见钟情私定终身,实际上,索尼娅是衔着金汤匙出生的千金大小姐,为了能够成长为配得上她的男人,罗希特决定放手去追逐自己的音乐梦想。哪知道一场意外中,罗希特跌落海中下落不明,悲痛欲绝的索尼娅被父亲送往新西兰疗养,哪知道在那里,她竟然遇见了一个和罗希特长得一模一样的男人。
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Devin McGinn
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2010年11月11日,在美国某个农场内,农场主霍伊特·米勒(Jon Gries 饰)的儿子科迪(Nash Lucas 饰)迎来了快乐的八岁生日。谁知刚才还在摄像机前玩耍的男孩,一道蓝光过后竟然凭空消失,下落不明。霍伊特一度为此吃上官司,饱受争议。而美国政府也注意到这一离奇事件,因此于2011年拍出一支调查组前往米勒农场。该调查组由社会文化人类学博士山姆·格林(Steven Berg 饰)、洛杉矶记者卡梅隆·莫菲(Devin McGinn 饰)、摄影师布瑞顿·斯隆(Michael Black 饰)、兽医丽莎·摩罗(Erin Cahill 饰)等专业人士组成,他们在米勒的家中安装了全方位无死角的摄像头,时刻捕捉房间内的一举一动。在此期间,动物群体死亡事件、超离奇噪声等诡异现象交替上演,隐藏在农场上空的秘密却难以窥见……
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Reb Braddock
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盖布丽(安琪拉·琼斯 Angela Jones 饰)的童年里有一段非常可怕的经历,年幼的她曾经在凶杀现场亲眼目睹死尸。这一段奇异的人生经历让盖布丽开始对尸体和死亡产生了好奇之心,这股子好奇随着她年龄的增大越发强烈起来,盖布丽甚至会特意的收藏报纸上的谋杀新闻做成剪报册,时时翻阅温习。 迈阿密接连发生凶杀案,被害者均是养尊处优的阔太太,而且无不身首异处。这起连环杀人案件很快就吸引了盖布丽的注意,为了能够更加接近命案现场,盖布丽来到了一间专门清理命案现场的保洁公司应聘成为了员工,并且在机缘巧合之下同连环杀人犯(威廉·鲍德温 William Baldwin 饰)有了一面之缘。
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Michael Patrick King
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凯瑞(萨拉·杰西卡·帕克 Sarah Jessica Parker 饰)和夏洛特(克里斯汀·戴维斯 Kristin Davis 饰)的两位同性好友,安东尼(马里奥·坎通 Mario Cantone 饰)与斯坦福(威利·加森 Willie Garson 饰)终于成婚,而凯瑞与“大先生”(克里斯·诺斯 Chris North 饰)婚后却不满生活日渐平淡,二人矛盾渐生。全职妈妈夏洛特日夜担心丈夫哈里(伊万·汉德勒 Evan Handler 饰)会与青春洋溢的爱尔兰保姆艾琳(爱丽丝·伊芙 Alice Eve 饰)出轨。律师米兰达(辛西娅·尼克松 Cynthia Nixon 饰)不满老板对女性的歧视,愤而辞职。就在此时,萨曼莎(金·凯特罗尔 Kim Cattrall 饰)应阿联酋酋长之邀,带领三人出游中东的阿布扎比。在香料集市上,凯瑞重逢多年前的旧爱艾登(约翰·考伯特 John Corbett 饰)。心猿意马的凯瑞盛装赴约,果然犯了不该犯下的错误……






























